Self Portraits

January 14, 2016January 1, 2011 by Carmelita Estrellita

Bliss

I’m in heaven
I’m halfway drifted away
only a fool would understand
how I feel today

only an idiot
could feel this joy
only a moron or a
girl they tried to turn into a boy

only an imbecile
could’ve taken me this far
only a shattered adolescent
could be wishing on a stupid star

I’m no e.e. cummings
I’m wordier with much less to say
but like his “he-man’s solid bliss”
only a fool could understand how I feel today

I’m no mentalist
ask any clown
the less I have up there
the less there is to dumb-down

I’m in rapture
almost blown away
only a shit-for-brains could understand
how I feel today

Beat It

you got the honey
I got the feet
you got the money
but baby I’ve got the beat

you got the pistols
I got the duels
you got all the fencing equipment
I got indoor pools
(installed by fools)

you got the wherewithal
I got the nerve
you got the straight line
I got the curve

you got the authorities
I got the unknown
you got stuck in portfolios
I got sold alone

you got the commodities
I got the edge
you’re heavily invested in
me going off the ledge

but I got the boombox
and a couple of moves
you got the building blocks
whose existence I had to prove

you got the meetings
I got the sheet
you may’ve got the fancy shoes
but baby I got the beat

New Directions

I’m more like the beatles
she’s more like the stones
never understood the beach boys
now we’re almost grown

I’m more like lips
she the mic/mike
I’m more Tina Turner
she’s more Ike

she’s just a little bit Yoko
I’m just a little bit Paul
I say my prayers each night to George Harrison
she doesn’t pray at all

she’s a little Rod Stewart
I’m more Marvin Gaye
she dances to a different beat
from the one my drummers play

I’m no Ringo
she’s no John
I’m a circle that won’t be unbroken
until one of us is gone

she’s a little more Elvis
I’m a little more Cher
she only gets to steal seconds with me
when Sonny Bono’s not there

I’m a little more Hollywood
she’s more Liverpool
I was on my way to Nashville
even before she started playing me for a fool

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“Laurie Stone’s Streaming Now is a book of journal-like entries, scraps of critical pieces, bits of memoir, and it is a delight. She calls these fragments postcards, which is charming and accurate up to a point, but the writing is better than any postcard you ever got unless you got one from Laurie Stone and she wrote it really small so all the wit and all the passing contemplations could fit. She writes about life during COVID, at home with ‘the man I live with’; about old friends and glancing love affairs; about books and films and television shows, with a deeply appealing combination of spitfire skepticism and a constant openness to pleasure and joy. One is reminded in multiple ways during the reading that Stone came of age and was politically, intellectually and emotionally shaped by the struggles and commitments of second wave feminism, and we’re further reminded that for feminists like Stone the movement was not only about rights, and not at all about protections for women, but about freedom for women, a much more dangerous thing, for women and for society at large. Freedom is a long lost idea. It had a specific erotic push and was battled back as eroticism always is. Autocracies are always puritanical. Everything about Stone’s writing is oriented toward freedom and much of her linguistic and literary sensibility specifically evokes erotic and intellectual freedom–the very sound of the sentences, their surprises, the quick adoption of new positions in relation to the thing looked at and engaged with. So, one recognizes that a simple seeming book of pensées is really the exploration of a distinct and valuable cultural point of view. We are lucky to have it.” –Vince Passaro, author of the novels Crazy Sorrow, and Violence, Nudity, Adult Content

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Expeditions to Kafka
Selected Essays
Stanley Corngold (Author)

In this new volume of Kafka studies, which is addressed to both beginning readers of Kafka as well as Kafka scholars, Stanley Corngold discusses Kafka’s work in a variety of novel perspectives, including Goethe’s The Sufferings of Young Werther; Nietzsche’s conception of aphoristic form; bureaucratic organization; accident and risk; the logic of possession and inheritance; and myth, among others.Even as Corngold explores Kafka’s work across different fields and tangents, he does so in vivid, readable prose, free of jargon, and with an eye to Kafka’s ongoing relevance to the concerns of his day and ours. Taken together these linked essays reveal Kafka in his astonishing many-sidedness.

Read an extract here.

Published	Aug 10 2023
Format	Ebook (PDF)
Edition	1st
Extent	336
ISBN	9798765100448
Imprint	Bloomsbury Academic
Publisher	Bloomsbury Publishing

Reviews

With superb erudition and his inimitable flair, Stanley Corngold’s Expeditions offer a magisterial guide through the intricate and ambiguous terrain of Kafka’s texts. Insights abound, providing a comprehensive and consistently profound investigation that strikes the perfect balance between drawing interpretive conclusions and maintaining hermeneutic openness-a culminating accomplishment by Kafka’s most inspired and most inspiring reader.

John T. Hamilton, William R. Kenan Professor of German and Comparative Literature, Harvard University, USA

You are not being introduced to Kafka – you fall into his stories as you fall into a trap, the bait emerging in the interstices between his words and your mind. That said, Corngold’s Expeditions are by far the best introduction to Kafka I have seen. He invites you to join him on his ventures into Continent Kafka, and he inspires you to stray off from his expeditions on your own terms, and risk.

Benno Wagner, Professor in German Studies, Siegen University, Germany

Stanley Corngold has been reading, reflecting, and commenting on Kafka and his writings for more than half a century. He has become our most penetrating and luminous guide to Kafka’s labyrinthine world. These essays, the distillate of a lifetime, manage both to reveal and to preserve the mystery of Kafka’s genius.

Robert Norton, Professor of German, University of Notre Dame, USA