Two Histories of Germany: Frank Trentmann’s “Out of the Darkness, the Germans, 1942-2022” and Katja Hoyer’s “Beyond the Wall: A History of East Germany”

Frank Trentmann, a German-born historian, teaches at the University of London and writes books in felicitous English. The special distinction of his latest study is its focus: Out of the Darkness is a history, not of facts alone but of the successive agonies of conscience besetting the Germans from the years 1942 (with the beginning of the rout at Stalingrad) till the present, with Germany’s diffident support of the Ukraine. It is a history of moral mentalities.

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From the Foreword to E.P. Thompson’s “William Morris: Romantic to Revolutionary”

What follows below comes from Peter Linebaugh’s Stop, Thief! The Commons, Enclosures and Resistance (PM Press, 2014). First of the Month will reprint pieces from Linebaugh’s collection of essays, which has been called a “Commonist Manifesto,” throughout 2024. The following text is an excerpt from a piece of Linebaugh’s that served as the foreword to a revised edition of E.P. Thompson’s biography of William Morris. (Thompson’s book was first published in 1955 — the year before his break with the Communist Party.) 

Thompson has been in the cultural conversation lately. (His huffy back-and-forth with Lesezk Kolakowski has been invoked here.)  Thompson may have always have been too full of himself. (Like most would-be vanguardists?) His duller certainties deserve skepticism. (I’m recalling just now Thompson’s dimness about a distinguished thing dear to Stuart Hall: “‘How can you be interested in Henry James?’ Edward Thompson once admonished me, with exasperation.”[1]) Thompson’s blankness about certain aspects of “high” intellection, though, deserve more than forbearance since it seems to have allowed him to focus on The Making of the English Working Class and his other histories from below.

Linebaugh has a near familial feeling for Thompson (who was his mentor), but he doesn’t do hagiography. He interrogates Thompson’s takes on Morris without being prosecutorial. Here he gets to what  Thompson missed in Morris’s essay “Under the Elm Tree” even as Thompson saluted Morris for… 

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High/Low Paris at the Dawn of the 20th C. (“New Acquisitions” at the Met)

Last season, at the Met, a curator with Dickensian sensitivity to class matters organized a set of eleven Paris prints and watercolors linked to the Manet/Degas show. These pieces—stuck in that odd, tight corridor between the museum’s grand entrance and the European painting wing—were part of New Acquisitions in Context: Selections from the Department of Drawings and Prints. (The title wsn’t the only yawner, who’d stop for New Acq‘s silverware prototypes or “Design for Transeptal Altars”?) The Paris scenes, though, were a trip. So much for peintres celébrès down the hall, Marie-Louise-Pierre Vidal’s watercolors floated viewers into luxe-life while Edgar Chahine’s prints dragged them down and out.

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On “My Libraries”

Renato Grigoli’s as usual right-on, witty “My Libraries: Finding a Third Place” (October 2023) sends me back in time to childhood visits at my working-class Peoria Public Library branch—the library card an important visa into feeling curious, smart, and grown up—taking books home to read under the summertime backyard pear tree or in winter bed, and on into high school there guided by our watchful nun librarian with permission also to amble—during free class time—to the nearby main public library, later wandering the stacks as an undergraduate at Trinity College, Hartford, getting into the habit of finding things I wasn’t looking for, like a year after 1974 college graduation while working in the basement Harvard Coop shipping room I wandered into Boston Public Library, discovering by chance Stefan Zweig’s Die Welt von Gestern (World of Yesterday), leading to a German course at Harvard Extension School!

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Three Lessons From Mama

Over the years, I shared various ways in which my parents intentionally worked to develop me into a constructive person. Often, because my mother was the primary disciplinarian, she has gotten the short end of the stick because most of my stories about her involve being the enforcer of the law. Yet, Claudette was the drill sergeant who was determined to prepare her child for a war in which I was armed to wrestle with the ghostly demons who desired to manifest their supremacy in flesh and blood.

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2024: The Body Politic on Steroids

[01-01-2024] In light of the upcoming election year, the U.S. Food and Drug Administration (FDA) has approved class-wide labeling changes for all prescription testosterone products, adding a new Warning and updating the Abuse and Dependence section to include new safety information from published literature and case reports regarding the risks associated with abuse and dependence of testosterone and other AAS.

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Appointment in Newark

Brick City Grudge Match is a tough-sounding, gritty title for a boxing book, especially when the subtitle is Tony Zale and Rocky Graziano Battle in Newark, 1948.

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Ghosts of Christmas past: Aspen, 1967

Christmas vacation when you were a cadet at West Point was all about how you got there.  You could fly space available in uniform for half price, but even that was too much if you had to fly halfway across the country, so it was pretty common for cadets to look for “hops,” a free ride on an Air Force cargo plane that was going your way.

A friend of mine and fellow ski patrolman at West Point, we’ll call him Alex, discovered that his father’s former roommate at West Point had retired from the Army as a Colonel and took a job as the manager and groundskeeper at the Aspen School of Music.  The main hall at the school, about 200 feet long and 20 feet wide was used for chamber music concerts in the summer and had two offices at one end of the building with convertible sofas.  The School of Music was closed, and they were ours over Christmas, the Colonel said, if we could get out there.  A lift ticket that year was $6.50.  We could manage that.  We found an Air Force hop and rode in some spare web-seats on a C-141 loaded with cargo headed for McConnell Air Force Base near Wichita.

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Triplicate (Poems On Domination & Consequences)

Fate

If the Fates come to take
those I love, bear witness to this —
………………………..they will not be victims
………………………..of what the ignorant, or,
………………………..perhaps, the grieving,
………………………..call terror.
……………….
Rockets fly into neighbors’ homes —
………………………..tonight? Tomorrow?
……………………….My own home?

If the Fates come for those I love,
I will not wrap them in white sheets,
lay them at the door of the man
who forced this war. He will not see us.

And if the Fates come for me, well,
there is no wrong in dying. But
bear witness, bear witness to this —
……………………………………I am not killed
……………………………………by a foreign hand.
……………….

Israel. Gaza. May 2021.

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Aaronovitch Mash-up: (“My Gaza Demands” & “A tug on the thread”)

What follows is the opening swatch of David Aaronovitch’s latest Substack post, along with his December 6th piece—a “story about modern left antisemitism.”

My Gaza Demands

The hashtag era having replaced the age of conference resolutions and since wishes and the most earnest desires are to be expressed as demands, here are my #gazademands. I don’t expect them to be met but I want them to be. If they were realised then the appalling suffering of the people of Gaza would be ended, the minimum security needs of the people of Israel would be safeguarded and some hope for the future would be established (for currently there is none).

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UAW-D Beats Bosses (& the Doomy Left)

Rad twitterers stuck on gestural politics have missed what might turn out to be a watershed moment in the history of America’s class struggles. While nobody with any sense is proclaiming a New Millennium for this country’s workers, there may be a new conjuncture around the corner. Thanks to the UAW, as well as Teamsters at UPS, who have won the largest victories for American labor in a half-century. It’s imperative that would-be leftists NOTICE what’s happened in factories and warehouse (and delivery trucks). With a little help from Labor Wave radio, you can listen below to an interview with historian (and former UAW staff organizer) Erik Baker, who has addressed the UAW’s recent wins in Jewish Currents, “Revaluing the Strike.”

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Peter Linebaugh’s “Great Act of Historical Imagination”*

“A commonist manifesto for the 21st Century…”

High praise for Peter Linebaugh’s 2014 collection of essays, Stop, Thief!: The Commons, Enclosures, and Resistance, went right by me. I missed the book when it came out and only grabbed it last month to pass time on the subway. My commutes went FAST! Though I didn’t ride the book into the ground. I savored the essay “Meandering at the Crossroads of the Commons and Communism” with a Negroni at an Upper West Side joint that does a damn good job of cultivating commons. (Fam style Italian dishes bring in big parties — happy b-day sung every 15 minutes…) A meet spot to muse with Linebaugh even if dollarism is in the equation. I finished his book as I rolled around the city gathering Thanksgiving provisions. A perfect read in the run-up to a fam-and-friends fête. I’m sure you’d’ve been swept away too as Linebaugh limns (with a feeling) one-for-all-all-for-one struggles to preserve people’s rights and resist privateers and hierarchs.

The late Mike Davis’s summative graph is on point:

From Thomas Paine to the Luddites, from Karl Marx to the practical dreamer William Morris, who advocated communizing industry and agriculture, to the twentieth-century communist historian E.P. Thompson, Linebaugh brings to life the vital “commonist” tradition. He traces the red threat from the great revolt of commoners in 1381 to the enclosures of Ireland, and the American commons, where European immigrants who had been expelled from their commons met the immense commons of the native peoples and the underground African American urban commons. Illuminating these struggles in this indispensable collection, Linebaugh reignites the ancient cry, “Stop, Thief!”

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The View from Above (and Down in the Groove)

There’s the thought, maybe I should grow out of my MacGowan loving phase anyway… for my own good.  Grow up, as my brother tells me sometimes.

This is about living, and open mic nights, and playing “Rainy Night in Soho.” Not knowing when the song will end, or what lies next…

Wednesday night, after changing mom for the second time, always a protest, an insult, a scoff, a sarcasm, “you’re such a prince…” huff, a mumble as I leave her room, I got down to the open mic night.  It’s a straight shot down the road.  I’ve had one beer.  Have eaten earlier.  It’s a straight shot, except for two corners close to the house, streets for driving 25 mph, quiet.  I’m not even going to play anything.  But I’ll bring the guitar, putting it in the back corner of the large banquet room of Bridie Manor overlooking the wide churning Oswego river, dark in the night like motor oil reflecting the streetlamps of the bridge.

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Mass Rape (& Obliviousness)

It’s been almost two months since the slaughtering of party-goers and farmers in the Gaza corridor, and I am just beginning to collect myself from the shock long enough to wonder why the rest of the world hasn’t noticed that there were mass rapes here. And then it hit me – we haven’t said how many women were raped and murdered, how many were mutilated, how many were just raped, and so forth. So I began to look for information, for specific facts. As a woman who has undergone rape, I found it a more focused subject than the general slaughter. Throughout this time, for instance, there have been testimonies and films – often go-pros of the terrorists themselves. Women gang-raped, women killed in the middle of gang rapes, women mutilated and murdered and raped in front of their children, little girls as well as teen-agers raped.

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To Be A Giraffe

1.
Like soft yellow clouds speckled in brown,
the Masai giraffes cross the Kenyan safari.
I was a giraffe once, too, in my mind,
even though I was the shortest in my class,
hanging on to high branches
to be nourished from above—
my imagination, books, arts.
On the earth, lonely, not matching my classmates,
vigilantly searching from my distance after possible dangers.
A child in the Ramat Sharet elementary school in Jerusalem
with her head up in the mountains of Africa,
reading repeatedly ‘Lobengulu King of Zulu’ by Nachum Guttman.

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