“The mind of this country, taught to aim at low objects, eats upon itself.” (Ralph Waldo Emerson)
I don’t want to argue with the American Scholar, but if you’re Hunter Harris — the wittiest millennial? — your obsessions are beyond objections…B.D.
A Website of the Radical Imagination
“The mind of this country, taught to aim at low objects, eats upon itself.” (Ralph Waldo Emerson)
I don’t want to argue with the American Scholar, but if you’re Hunter Harris — the wittiest millennial? — your obsessions are beyond objections…B.D.
He chose friends for wit, his bride for beauty.
She always erred on the side of beauty.
Punk soul in a Father’s body, Hopkins
wrote the motley an anthem –- Pied Beauty.
Mary Oliver’s speaker walks with awe
through the world. Dickinson’s died for beauty.
“From the inside.” “Eye of the beholder.”
Well-meaning parents lied about beauty.
…I walked by the Sacramento River the day before my thirty-eighth birthday, along the train tracks to an old rusted truss bridge. It was the first time I’d been alone, I mean alone in physical space, in a long time. I’d spent the Christmas holidays with Harvey, who had an excruciating toothache and no health insurance, and with Amber, this trans girl Harvey had just started seeing. Harvey never complained about the toothache, though. They wandered around their bedroom trying on different outfits, showing off their possessions, infinite sentimental relics, displaying their favorite dick pics on their phone (especially the cum vids), making jokes and asking surreal philosophical questions, while Amber fawned over them, which annoyed Harvey, though they kind of liked it, too. Harvey wanted to be seen, to be loved for their capacity to be seen, for their mere appearing in this world, epiphanic ephemera, the brute autistic weirdness of their creature-existence, but they didn’t really like being complimented, compliments made them uneasy, always seemed silly if not outright suspicious, and they liked being romanticized even less, though they knew it was this resistance to romance in themselves that invited it from others.
The author emailed this response to Leila Zalokar’s December 1 post, “Planet X,” under the heading, “Awesome.”
Starts with a bang! [couldn’t help myself]
And right off the bat, I can’t think of a word, but that melancholy, ironic, hopefulness(?)
…still, the desire to fuck / morning cigarettes…
You
make me taste your
……………….vastness on my tongue
then dismiss me
one of many loved
……………….beneath the belly of the sun
Frank Trentmann, a German-born historian, teaches at the University of London and writes books in felicitous English. The special distinction of his latest study is its focus: Out of the Darkness is a history, not of facts alone but of the successive agonies of conscience besetting the Germans from the years 1942 (with the beginning of the rout at Stalingrad) till the present, with Germany’s diffident support of the Ukraine. It is a history of moral mentalities.
What follows below comes from Peter Linebaugh’s Stop, Thief! The Commons, Enclosures and Resistance (PM Press, 2014). First of the Month will reprint pieces from Linebaugh’s collection of essays, which has been called a “Commonist Manifesto,” throughout 2024. The following text is an excerpt from a piece of Linebaugh’s that served as the foreword to a revised edition of E.P. Thompson’s biography of William Morris. (Thompson’s book was first published in 1955 — the year before his break with the Communist Party.)
Thompson has been in the cultural conversation lately. (His huffy back-and-forth with Lesezk Kolakowski has been invoked here.) Thompson may have always have been too full of himself. (Like most would-be vanguardists?) His duller certainties deserve skepticism. (I’m recalling just now Thompson’s dimness about a distinguished thing dear to Stuart Hall: “‘How can you be interested in Henry James?’ Edward Thompson once admonished me, with exasperation.”[1]) Thompson’s blankness about certain aspects of “high” intellection, though, deserve more than forbearance since it seems to have allowed him to focus on The Making of the English Working Class and his other histories from below.
Linebaugh has a near familial feeling for Thompson (who was his mentor), but he doesn’t do hagiography. He interrogates Thompson’s takes on Morris without being prosecutorial. Here he gets to what Thompson missed in Morris’s essay “Under the Elm Tree” even as Thompson saluted Morris for…
Last season, at the Met, a curator with Dickensian sensitivity to class matters organized a set of eleven Paris prints and watercolors linked to the Manet/Degas show. These pieces—stuck in that odd, tight corridor between the museum’s grand entrance and the European painting wing—were part of New Acquisitions in Context: Selections from the Department of Drawings and Prints. (The title wsn’t the only yawner, who’d stop for New Acq‘s silverware prototypes or “Design for Transeptal Altars”?) The Paris scenes, though, were a trip. So much for peintres celébrès down the hall, Marie-Louise-Pierre Vidal’s watercolors floated viewers into luxe-life while Edgar Chahine’s prints dragged them down and out.
Renato Grigoli’s as usual right-on, witty “My Libraries: Finding a Third Place” (October 2023) sends me back in time to childhood visits at my working-class Peoria Public Library branch—the library card an important visa into feeling curious, smart, and grown up—taking books home to read under the summertime backyard pear tree or in winter bed, and on into high school there guided by our watchful nun librarian with permission also to amble—during free class time—to the nearby main public library, later wandering the stacks as an undergraduate at Trinity College, Hartford, getting into the habit of finding things I wasn’t looking for, like a year after 1974 college graduation while working in the basement Harvard Coop shipping room I wandered into Boston Public Library, discovering by chance Stefan Zweig’s Die Welt von Gestern (World of Yesterday), leading to a German course at Harvard Extension School!
Over the years, I shared various ways in which my parents intentionally worked to develop me into a constructive person. Often, because my mother was the primary disciplinarian, she has gotten the short end of the stick because most of my stories about her involve being the enforcer of the law. Yet, Claudette was the drill sergeant who was determined to prepare her child for a war in which I was armed to wrestle with the ghostly demons who desired to manifest their supremacy in flesh and blood.
“With your first experience in Vegas — what did you think?”
“On earth, it’s probably the closest thing to a dystopia.” – Victor Wembanyama 😂 pic.twitter.com/PoJRveKG3w
— Evan Abrams (@EvanHAbrams) December 29, 2023
H/T Thomas Beller.
[01-01-2024] In light of the upcoming election year, the U.S. Food and Drug Administration (FDA) has approved class-wide labeling changes for all prescription testosterone products, adding a new Warning and updating the Abuse and Dependence section to include new safety information from published literature and case reports regarding the risks associated with abuse and dependence of testosterone and other AAS.
Brick City Grudge Match is a tough-sounding, gritty title for a boxing book, especially when the subtitle is Tony Zale and Rocky Graziano Battle in Newark, 1948.
Christmas vacation when you were a cadet at West Point was all about how you got there. You could fly space available in uniform for half price, but even that was too much if you had to fly halfway across the country, so it was pretty common for cadets to look for “hops,” a free ride on an Air Force cargo plane that was going your way.
A friend of mine and fellow ski patrolman at West Point, we’ll call him Alex, discovered that his father’s former roommate at West Point had retired from the Army as a Colonel and took a job as the manager and groundskeeper at the Aspen School of Music. The main hall at the school, about 200 feet long and 20 feet wide was used for chamber music concerts in the summer and had two offices at one end of the building with convertible sofas. The School of Music was closed, and they were ours over Christmas, the Colonel said, if we could get out there. A lift ticket that year was $6.50. We could manage that. We found an Air Force hop and rode in some spare web-seats on a C-141 loaded with cargo headed for McConnell Air Force Base near Wichita.
Fate
If the Fates come to take
those I love, bear witness to this —
………………………..they will not be victims
………………………..of what the ignorant, or,
………………………..perhaps, the grieving,
………………………..call terror.
……………….
Rockets fly into neighbors’ homes —
………………………..tonight? Tomorrow?
……………………….My own home?
If the Fates come for those I love,
I will not wrap them in white sheets,
lay them at the door of the man
who forced this war. He will not see us.
And if the Fates come for me, well,
there is no wrong in dying. But
bear witness, bear witness to this —
……………………………………I am not killed
……………………………………by a foreign hand.
……………….
Israel. Gaza. May 2021.
What follows is the opening swatch of David Aaronovitch’s latest Substack post, along with his December 6th piece—a “story about modern left antisemitism.”
The hashtag era having replaced the age of conference resolutions and since wishes and the most earnest desires are to be expressed as demands, here are my #gazademands. I don’t expect them to be met but I want them to be. If they were realised then the appalling suffering of the people of Gaza would be ended, the minimum security needs of the people of Israel would be safeguarded and some hope for the future would be established (for currently there is none).
Rad twitterers stuck on gestural politics have missed what might turn out to be a watershed moment in the history of America’s class struggles. While nobody with any sense is proclaiming a New Millennium for this country’s workers, there may be a new conjuncture around the corner. Thanks to the UAW, as well as Teamsters at UPS, who have won the largest victories for American labor in a half-century. It’s imperative that would-be leftists NOTICE what’s happened in factories and warehouse (and delivery trucks). With a little help from Labor Wave radio, you can listen below to an interview with historian (and former UAW staff organizer) Erik Baker, who has addressed the UAW’s recent wins in Jewish Currents, “Revaluing the Strike.”
“A commonist manifesto for the 21st Century…”
High praise for Peter Linebaugh’s 2014 collection of essays, Stop, Thief!: The Commons, Enclosures, and Resistance, went right by me. I missed the book when it came out and only grabbed it last month to pass time on the subway. My commutes went FAST! Though I didn’t ride the book into the ground. I savored the essay “Meandering at the Crossroads of the Commons and Communism” with a Negroni at an Upper West Side joint that does a damn good job of cultivating commons. (Fam style Italian dishes bring in big parties — happy b-day sung every 15 minutes…) A meet spot to muse with Linebaugh even if dollarism is in the equation. I finished his book as I rolled around the city gathering Thanksgiving provisions. A perfect read in the run-up to a fam-and-friends fête. I’m sure you’d’ve been swept away too as Linebaugh limns (with a feeling) one-for-all-all-for-one struggles to preserve people’s rights and resist privateers and hierarchs.
The late Mike Davis’s summative graph is on point:
From Thomas Paine to the Luddites, from Karl Marx to the practical dreamer William Morris, who advocated communizing industry and agriculture, to the twentieth-century communist historian E.P. Thompson, Linebaugh brings to life the vital “commonist” tradition. He traces the red threat from the great revolt of commoners in 1381 to the enclosures of Ireland, and the American commons, where European immigrants who had been expelled from their commons met the immense commons of the native peoples and the underground African American urban commons. Illuminating these struggles in this indispensable collection, Linebaugh reignites the ancient cry, “Stop, Thief!”
What follows is the concluding essay in Stop, Thief! The Commons, Enclosures and Resistance PM Press, 2014.