A Guided Tour Through a Graveyard: Some Representations of War and the Hazards of Strong Contextualism

I shall describe and attempt to interpret a difference in representations of war in two television series made by the same people about the same war, Band of Brothers, which aired in 2001, and The Pacific, which aired in 2010.  I hope to show that despite influential argument to the contrary—most notably Paul Fussell’s celebrated The Great War and Modern Memory—it is imprudent to make strong historicist or contextualist claims that the transformed nature of war since 1914 is a sine qua non for explaining modern ironic and anti-heroic representations of combat.

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“Atlanta’s” Elevator to the Sanctum

The first ten episodes of Donald Glover’s marvelous FX series Atlanta aired weekly from early September through November 1, 2016.  Its first season, in other words, unfolded throughout the weeks leading up to the presidential election. In retrospect the power of its first season may live on in as a powerful snapshot of what we were, or thought we were, in the last months of Obama’s America.  It wasn’t a particularly pretty picture, but the very different feel of national events since November make me wonder if Atlanta‘s spectrum of tones can be repeated in the next season. Season One is almost always comic, but its humor ranges from darkly satiric to tender and romantic as the show conjures up rootsy yet media-savvy depictions of life in Atlanta.

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The Color of Law

I just finished Richard Rothstein’s brilliant—and far from uplifting—book The Color of Law. It’s been getting a lot of favorable press, and rightly so.

The book accepts (for the sake of argument, maybe—Rothstein is always parsimonious in his arguments) the principle that Chief Justice Roberts puts forward when he says that if residential segregation ‘is a product not of state action but of private choices, it does not have constitutional implications’. It is devoted to showing that, contrary to the prevailing myth that residential segregation (between whites and African Americans) is a product of a private choices it is, in fact, a product of government policies, all the way from the Federal level to the most local level, and this is true in the North as well as the South. Housing segregation in the US is de jure, not de facto. And… it shows just that. He makes his case in careful, meticulous detail, but in unfussy and inviting prose, packed with illuminating stories that illustrate the central claims.

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The Hammer and the Paint Brush

I had read Denis Johnson’s Jesus’ Son when it came out in paperback, 1993. I had read Tree of Smoke, which won a Nat’l Book Award in 2007. That, I didn’t like so much, but after Johnson died, in May, I decided to read the earlier one again. If you can recommend another book of Johnson’s to someone who didn’t like Smoke but did like Jesus, I am buying.

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Jupiter Rising

Here he is in his official state portrait—the serene half-smile; the piercing blue eyes; the buff pecs taut against a spotless white shirt and the perfect cut of his navy blue suit, signs of purity amid authority and service.

Macron Official Portrait

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Lieutenant Weinberg’s Lament

If it makes you feel any better, Americans are not all THAT divided. For example, there’s what NYT’s Frank Bruni called “the recent ugliness at Evergreen State College.” Long story short, student activists invited Evergreen’s whites to report to an off-campus “all-day program focusing on allyship and anti-racist work” rather than going to class. The so-called “Day of Absence,” held this year on April 14, is an annual Evergreen event that usually sees students of color meeting offsite for programs and conversations. This year, organizers opted to flip the script.

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Untethered

The author was an English professor for over 40 years. What follows is an excerpt from an essay he wrote after his retirement. An essay (to quote a phrase from a longtime reader of Goodheart’s work whose correspondence helped inspire it)“in the spirit of one no longer bound by job or profession or any other tethers (except the inevitable one of mortality), someone sailing under his own wind wherever it might take him.” 

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The Resurrection and Survivor’s Guilt

Fr. Rick Frechette is a medical doctor and Catholic priest who has been working in Haiti for a more than a generation, running hospitals and social programs in Port-au-Prince as well as a Nuestros Pequenos Hermanos orphanage on the outskirts of the capital. He wrote the following epistle to his family and supporters last week.

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Trump’s War Against the Media

Trump knows that his real enemy is the media—less so the weak Democratic Party.  We should not underrate his intelligence in this respect. In other words, his war is against fact and truth.  If he wins the war (he needs only to win his constituency, a minority in the country and a majority in the swing states), his administration is secure.

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