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Trump calling into Newsmax to say “I’d never heard the words ‘mugshot’ — they didn’t teach me that at the Wharton School of Finance” is one of his greatest lines.
Mountains Beyond Mountains
In the New Republic‘s August 10th issue Katherine Stewart published a long and learned account of the now openly anti-democratic polemicizing at the Claremont Institute, titled “The Claremont Institute: The Anti-Democracy Think Tank” (https://newrepublic.com/article/174656/claremont-institute-think-tank-trump) pointing out that what was once a sort-of normal conservative think tank has since 2015 become something much uglier: “In embodying a kind of nihilistic yearning to destroy modernity, they have become an indispensable part of right-wing America’s evolution toward authoritarianism…Claremont represents something new in modern American politics: a group of people, not internet conspiracy freaks but credentialed and influential leaders, who are openly contemptuous of democracy. And they stand a reasonable chance of being seated at the highest levels of government—at the right hand of a President Trump or a President DeSantis, for example.”
With a couple of trivial caveats, this seems right.
Brother Minds: Kafka and Obama
The nausea produced by Trump’s “alternative facts”—which are neither facts nor viable alternatives to facts, being merely lies–has led to a good deal of finger-pointing. Is the seeming legitimacy of such lies owed to advanced (post-modern, “post-truth”) literary theory? For, here, it’s said, readings for the truth of complex texts result in nothing more than a vertigo of indetermination. We have no decisive outcomes but only different hypotheses, having unfathomable degrees of validity, that vie for primacy with no end in sight. It’s not my remit to do a history of the concept of truth-skepticism, but we did not need Foucault and Derrida to introduce us to this great negation. There are paramount exemplars of such concerns in German thought, from at least the 18th century on: Doubts about the accessibility of truth abound, but they are not given equivalent status with lies. The polymath G. E. Lessing acknowledged “the diligent drive for Truth, albeit with the proviso that I would always and forever err in the process.”[1] We have a kind of modern radicalization in Kafka’s skepticism: “A certain [kind of] truth might be found only in the chorus … or choir (im Chor) (emphasis added).[2] Bottom line: we did not need to be vexed by literary theory to declare that “alternative facts” may not be turned into a chorus of part-truth viewpoints and opinions.
As we return finally to another anthropological order, we find the suggestion that criticizing Trump “for not being consistent, reliable, or rational is to misunderstand his leadership philosophy.” Is that true? I’d aver that he has no detectable “philosophy,” unless it’s to have none. By contrast, it’s tempting to invoke, as possibly redeeming, the mind of another ex-President: Barack Hussein Obama.
Fanboy James & The Utilitarian Nature of the Blues
Last week on What Did Prince Do This Week?, someone mentioned the documentary, Mr. Dynamite: The Rise of James Brown. That caused me to remember when B. B. King and Bobby “Blue” Bland were on Soul Train in 1975 to promote their joint album, B.B. King and Bobby Bland: Together for the First Time, which is my favorite blues record of all time (here). It doesn’t hurt that King and Bland open the album with King’s seminal song, “Three O’clock Blues.” The first time that I got my hands on the album, it took me a month to listen to the entire thing because I just kept playing “Three O’clock Blues” over, and over, and over, and over until my mother finally yelled from the back of the house, “Boy, if you don’t let the rest of that album play, I’mma come up there and knock you into Three A.M.!” Even though I had the studio version (45”) of “Three O’clock Blues,” this live version was the most amazing thing that I had ever heard. Interestingly, this appearance by King and Bland on Soul Train is also a bonus scene on the Mr. Dynamite: The Rise of James Brown DVD. More than just the music, it’s wonderful to watch James Brown, at the height of his popularity, become a fanboy over King and Bland. When I first saw this performance years ago, it was something to see a man the stature of Brown become almost childlike in the presence of King and Bland.
Crystallize It
A mind so fine no idea could violate it? Midway through Tori et Lokita – the Dardenne Brother’s latest film – there’s a sequence that brings home the flaw in T.S. Eliot’s noble praise-line. The Dardennes crystallize an idea that’s suffused with feeling. What happens on screen isn’t a reduction or an abstraction or a violation. It’s an act of imagination.
Meetings With Remarkable Men
In 1965 my parents bought a house in Longport, on the opposite end of Absecon Island from Atlantic City. Longport, which was then still called “The Irish Riviera,” was across a causeway from Ocean City, another (Gentile) family-oriented South Jersey vacation spot. Ocean City was dry, but next to it was Somer’s Point, a veritable Bourbon Street to its Riyadh. My favorite Somer’s Point joint was Tony Mart’s because a highschool classmate of Max Garden’s tended bar there and let us drink for free.
Tony Mart’s booked rock’n’roll bands, and I knew from the subsequent literature that The Hawks played there before they became The Band, and I wondered if I’d heard them. Robbie Robertson’s passing triggered a lot of FB postings, and I learned that The Hawks were at Tony Mart’s the entire summer of ‘65. In fact, Robertson took Bob Dylan’s phone call inviting the group to New York in its kitchen. So I heard them once? twice? three times?
And they made absolutely no impression on me.
Talk about an eye (or ear) for talent.
Night Within the Night
[excerpts from Last Beauty of the Earth, a work in progress]
..One can be almost certain that the inflationary horniness among older millennials and Gen Xers, along with the constant mainstream jeremiads about the decline of sex, the inexorable draining of sexuality from the world (echoes of Hölderlin’s withdrawal of the gods), is revanchist, and prefigures either a fascist future of universal eugenics and Lebensborn programs, devoted to the sexual enslavement of the species, or a near-future, closer than one might expect, in which fucking has been abolished, or faded away, along with the money system, labor, the male sex, etc., all that shit Valerie Solanas wrote about. In the meantime, a spiritual disciple of Cronenberg, I carve my anima into my very flesh, I tattoo my name in Hebrew on my neck, Leila, לילה, daughter of the night, goddess of sex and the transmigration of souls, eternal flower and mirror, who is also the agent of the return to oblivion, to forgetfulness, to the unmaking of the flesh: time itself.
The Unfinished Revolution of “The Joy of Sex”
The sexual revolution may have reached its high-water mark 50 years ago, the week of August 5, 1973, when The Joy of Sex: A Cordon Bleu Guide to Lovemaking first topped the New York Times list of nonfiction hardcover best sellers. Published the previous fall, the book had swiftly become a publishing phenomenon. For the first time, anyone in America could walk into a respectable bookshop and openly purchase a detailed, illustrated sex manual: a modern version of the guidebooks that Indian aristocrats, Chinese mandarins, and Florentine grandees had consulted centuries before.
Burning for You
‘Kitchen Fire’, 2023, oil on linen, 24 x 18 inches.
I’ve had an ongoing series of paintings about lovemaking that pop up every now and then. Depicting intimacy in a way that is a tad voyeuristic yet never prurient is challenging, but I find that it works when the moment is somehow eclipsed by the periphery of life lived.
Hells and Benefits (Benjamin DeMott on Sexology in the Seventies)
Originally published in The Atlantic in 1975.
Are sexologists dumb? I’ll admit that’s an impolite question—and I’ll also admit that a little of my skepticism of the sexological tribe stems from irrelevant literary fastidiousness. Sex researchers and commentators sooner or later “bring in” a poet or two to decorate or amplify their arguments, and depressingly often, they misquote what they’ve appropriated or otherwise deface it. (One recent volume includes the following remark: . . [we] realize that, in a paraphrase of John Donne, the unsatisfied metaneeds of any group within a community weaken that community and reduce the chances of all its members of reaching their full potential.” Of what in hell could these words be a paraphrase?)
R.I.P. to a Man’s Man
On Cunningham Street in the Upper Brickyard of Clarksdale, Mississippi, Clement Edmond was a man’s man—respected and beloved by all as a bedrock of his community. He reminded me of my pops in his ability to express every aspect of what it means to be a leader and fully human. He was a traditional husband who worked while his wonderful wife, Louise, kept a safe and loving home for their thirteen children.
Seventy-five cents okay with you?
Green Street in 1969
The first loft I lived in was on the north side of Broome Street, between Crosby and Lafayette. I sublet it for the summer of 1969 from an artist by the name of Jack Whitten.
Use Him
In February 2023, music producer Ian Brennan traveled to Mississippi to record with the prisoners of the notorious Parchman Prison, which has a rich musical history. (Former inmates include Son House, Bukka White, Mose Allison and Elvis Presley’s father, Vernon Presley.) The bureaucratic process behind Brennan’s visit took over three years: “Granted approval a little more than a week before, Brennan caught a red eye flight to be there on a Sunday morning for the few hours he was allowed to record.” Parchment Prison Prayer belongs to the honorable tradition of song-catchers searching for unchained melodies in penitentiaries. This time around, Brennan may have caught at least one song for the ages…
“I give myself away,” sings the vocalist to his personal Jesus (as he makes the piano chime), “so you can use me.” That’s the gospel truth. The singer/pianist is the only Parchman prisoner/performer recorded by Brennan who chose to remain anonymous.
Danny Lyon, Journey West
This short film was made on the occasion of this summer’s ABQ Museum show, Danny Lyon – Journey West.
A Pogrom Called Huwwara
Pogrom. That is the first word that came to mind when I heard about Huwwara. A rabid mob sowing violence, terror, fire and destruction, the terror magnified by the darkness, shops and houses and cars torched, with hundreds of injuries and – apparently by some miracle – just one death, of a man, Sameh Aqtash, who had just returned from volunteering help to victims of the earthquake in Turkey.
Horror and shame welled up close behind. This was a pogrom, but with the critical characters reversed. No longer were Jews the victims, in the classic, almost stereotypical role fixed by history and historiography for twenty-five centuries or more. Now Jews were “masters in their house”, as asserted by a minister in the new Israeli government, and determined to show it.[1]
A True Pro-Life Movement Has Never Been Tried
In Ohio, this Tuesday, voters in a special election will decide on a scammy state constitutional amendment. “Are you sick of constitutional amendments? Vote yes on Issue 1 and you won’t have to put up with them anymore!” Issue 1 makes the process of amending our state constitution significantly harder. Since 1851, proposed amendments to our constitution needed a simple majority to pass. Issue 1 would up the required majority to 60%. If you take supporters’ word for it, shadowy interest groups from outside the state have set their eyes on Ohio and our big, beautiful constitution. “They” seek to shred it so as to turn us into another Democratic shithole like Chicago or California. We need a special instance of living constitutionalism to protect the original intent of the constitution (or something).
Brother Sun
Dear family and friends,As I write these words, the violent rule of gangs in Port au Prince in increasing, and reaching our neighborhood, which is also the neighborhood of US Embassy.
The Embassy is, during these very days, evacuating all non-emergency personnel.The effect on us is that our hospital now receives many warlike trauma and gunshot injuries, especially since the specialty hospital nearby that was managing them closed, precisely because of armed attack on their hospital.We cannot get surgeons to come to our area. It is a red zone. And like many hospitals in Port au Prince, we cannot even keep the competent people we already have, since many are fleeing Haiti to raise their families in a safer country.We are not capable of managing high level trauma. It means we stabilize the gunshot injured as best as we can and transfer them to a private surgery center at our expense, for which we have no budget but must act to save lives.We are facing the worse crisis we have ever faced in 34 years of dedicated mission here, and the consequences are not only the disintegration of a nation and all the institutions that constitute civilization, but the people are floundering in a tsunami of despair. The dangerous sickness of despair surrounds us like a violent sea in a hurricane.And yet amid all of this, there was Raphael.
HUWWARA
David J. Wasserstein is professor of History and Jewish Studies at Vanderbilt University. Before coming to Vanderbilt he served as professor of Islamic history at Tel Aviv University. He’s provided the following short introduction to his poem which he’s translated from Hebrew into English.
After the pogrom in Huwwara, on 26-27 February, I was like many Jews and Israelis in shock. That shock eventually, a couple of days later, took shape in the text below. It is a cento, a work composed largely of quotations from other texts.
The Death of the Aryan Race
..A Verso article on the “downtown scene,” the fascist avant-garde, Yarvin and BAP, etc. I’ve been making “aesthetically alive art out of history’s flotsam” for years that takes in real brutality, not the overwrought racial/gendered disgust these people have at the symptoms of capitalism, but the mandarin left would rather talk about a bunch of liberal art school kids and failed models cosplaying fascism than look for anything genuinely new.
A Sack of Ideals (Conscience and Protest in Israel)
Feeling very impotent in the face of the gradual transformation of the country I joined precisely because of its struggle for democracy and socialism, I returned to my childhood companion, Thoreau. He’s the one who knows about civil disobedience…