In Country

October 9, 2023October 8, 2023 by Karen Alkalay-Gut

There are three new buildings being raised right around our co-op, primarily by workers who come in every day from the West Bank or Gaza. A few days ago I spoke to one of them in the little grocery store. Tall, shy, a teenager, he could speak only Arabic and comes over the border every day. From Gaza, he comes through the Erez crossing.

But I won’t be seeing him for a while. The crossing was destroyed yesterday when hundreds of nearby residents were slaughtered in their shelters.

The demonstrations were cancelled last night – most of the pilots, the soldiers, the navy, the doctors – were in the sites of the catastrophe, trying to clean up the remains of the slaughter, to treat survivors, to find some of the terrorists who may still be around.

I still haven’t been in touch with my friend from the northern border – her information about the explosions in the night from Hizballah would be more accurate than the news but her Parkinson’s make it impossible for her to use the morning for anything but getting herself ready for the day, and she has to focus.

Since I live in the middle of Tel Aviv, all we had to do was stay home and be ready to race the few flights down to the shelter when the sirens go off. So we were woken at six-thirty in the morning and went up and down a few times. A whatsapp from an Arab neighbor asked whether it was safer to just stay in the stairwell, but we explained that the shelter was preferable. The rest of the day we spent glued to the television and on the phone to check on family. Then in the evening the bombs began again and we ran down and up and down and up.

We are chicken – a while ago we took a demanding tourist to the settlements on the Gaza border, but refused to get too close. She wanted to see Gaza, but we shivered and drove her back home. Now I am sure that more than a quarter of the residents in that pastoral moshav are gone.

Every single mother, every single baby, every single old lady in that moshav is in my mind now, as I get out of the clothes I slept in, and get ready for a new day.

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“Laurie Stone’s Streaming Now is a book of journal-like entries, scraps of critical pieces, bits of memoir, and it is a delight. She calls these fragments postcards, which is charming and accurate up to a point, but the writing is better than any postcard you ever got unless you got one from Laurie Stone and she wrote it really small so all the wit and all the passing contemplations could fit. She writes about life during COVID, at home with ‘the man I live with’; about old friends and glancing love affairs; about books and films and television shows, with a deeply appealing combination of spitfire skepticism and a constant openness to pleasure and joy. One is reminded in multiple ways during the reading that Stone came of age and was politically, intellectually and emotionally shaped by the struggles and commitments of second wave feminism, and we’re further reminded that for feminists like Stone the movement was not only about rights, and not at all about protections for women, but about freedom for women, a much more dangerous thing, for women and for society at large. Freedom is a long lost idea. It had a specific erotic push and was battled back as eroticism always is. Autocracies are always puritanical. Everything about Stone’s writing is oriented toward freedom and much of her linguistic and literary sensibility specifically evokes erotic and intellectual freedom–the very sound of the sentences, their surprises, the quick adoption of new positions in relation to the thing looked at and engaged with. So, one recognizes that a simple seeming book of pensées is really the exploration of a distinct and valuable cultural point of view. We are lucky to have it.” –Vince Passaro, author of the novels Crazy Sorrow, and Violence, Nudity, Adult Content

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From immigrants to insurrectionists, from Demeter to David Bowie, Stone gives us searing, moving poems filled with powerful imagery and an original music.

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Expeditions to Kafka
Selected Essays
Stanley Corngold (Author)

In this new volume of Kafka studies, which is addressed to both beginning readers of Kafka as well as Kafka scholars, Stanley Corngold discusses Kafka’s work in a variety of novel perspectives, including Goethe’s The Sufferings of Young Werther; Nietzsche’s conception of aphoristic form; bureaucratic organization; accident and risk; the logic of possession and inheritance; and myth, among others.Even as Corngold explores Kafka’s work across different fields and tangents, he does so in vivid, readable prose, free of jargon, and with an eye to Kafka’s ongoing relevance to the concerns of his day and ours. Taken together these linked essays reveal Kafka in his astonishing many-sidedness.

Read an extract here.

Published	Aug 10 2023
Format	Ebook (PDF)
Edition	1st
Extent	336
ISBN	9798765100448
Imprint	Bloomsbury Academic
Publisher	Bloomsbury Publishing

Reviews

With superb erudition and his inimitable flair, Stanley Corngold’s Expeditions offer a magisterial guide through the intricate and ambiguous terrain of Kafka’s texts. Insights abound, providing a comprehensive and consistently profound investigation that strikes the perfect balance between drawing interpretive conclusions and maintaining hermeneutic openness-a culminating accomplishment by Kafka’s most inspired and most inspiring reader.

John T. Hamilton, William R. Kenan Professor of German and Comparative Literature, Harvard University, USA

You are not being introduced to Kafka – you fall into his stories as you fall into a trap, the bait emerging in the interstices between his words and your mind. That said, Corngold’s Expeditions are by far the best introduction to Kafka I have seen. He invites you to join him on his ventures into Continent Kafka, and he inspires you to stray off from his expeditions on your own terms, and risk.

Benno Wagner, Professor in German Studies, Siegen University, Germany

Stanley Corngold has been reading, reflecting, and commenting on Kafka and his writings for more than half a century. He has become our most penetrating and luminous guide to Kafka’s labyrinthine world. These essays, the distillate of a lifetime, manage both to reveal and to preserve the mystery of Kafka’s genius.

Robert Norton, Professor of German, University of Notre Dame, USA