A necklace
Lost in a looted
Burnt home
In a kibbutz
Was found
Last week
In a burnt home
In Gaza
A Website of the Radical Imagination
A necklace
Lost in a looted
Burnt home
In a kibbutz
Was found
Last week
In a burnt home
In Gaza
Erella Dunayevsky’s stories evoke the dailiness of Palestinians’ lives under occupation. They take place over many years but, as Dunayevsky has written, “the essence of the stories is identical, whether they took place during the nineties of the previous century or are happening right now…”
With Donald Trump set to return to the White House, the future of Rojava is in serious danger. The last Trump administration green-lit Turkey’s 2019 invasion, resulting in mass displacement, ethnic cleansing of Kurds, and a brutal occupation that continues to this day. Since then, Turkish President Erdogan has threatened to launch another such invasion but repeatedly failed to secure approval from the Biden administration. Reports of Erdogan’s conversation this week with his “friend” Donald Trump suggest that the tides could soon turn in his favor yet again, and another major invasion could be on the horizon.
Dear Family and Friends,
The Haitian people are living through a fourth year of violent torment.
It is the tragic unravelling of the country, with vengeful political discord and the rule of gangs, keeping everything on a crash course.
Having been surrounded by gun battles for most of the past 7 days, and having helped many gunshot, traumatized, robbed, abused and humiliated people over these years, it is more than evident that a bullet easily destroys the whole person: body and mind, heart and soul.
So I had every sympathy for “Keket” yesterday when she, like so many, came to see me for any kind of help.
She was a strong, stocky market woman, in her sixties, until very recently when weakened by a stroke. Since so many clinics and hospitals have closed in the past years, Keket was “lost to follow up.” The whole country is lost to follow up. The whole country is sick in every sense.
Review of Yoko Tawada, Paul Celan and the Trans-Tibetan Angel, translated by Susan Bernofsky (New York: New Directions, 2024).
In retrospect, “bowling alone” ain’t even the worst of it.[1] At least then one retains a modicum of public interaction, an immunity-community[2] formed through the public choreography of shared shoes, balls, lanes. The AppStore at this moment boasts several games flouting “Bowling” and “3D” in their title, a rather perverse inversion of the textures of reality and its flattening by the culture of the screen. The increasing digitization of our live has ravaged social capital and concentrated private capital at a scale far exceeding what even Robert Putnam had in mind. We are becoming increasingly aware of just how devastatingly effective the pandemic of social loneliness—precipitated to hitherto unknown extremes by the COVID-era lockdowns—is for fostering political polarization and right-wing extremism.[3] During the COVID-era, our societies insisted that we remain isolated from one virus, even if that meant exposing us to the ills of whatever goes viral. Four years later, we’re still paying the price for pandemic populism.
In March 2021, I learned the lesson the hard way. It was the centenary of Paul Celan’s birth, and Pierre Joris—gifted poet and translator—was set to speak on his recently completed masterwork, a weighty two-volume translation of Celan’s collected poetry, replete with commentary. Being the dark days of the yet unrelenting pandemic, the talk was naturally on Zoom. Celan’s face loomed on the shared Powerpoint as I introduced Joris. No sooner had he thanked the organizers than it began: the n-word scrawled across the screen; a shrill cartoonish scream invading the speakers; rancid GIFS with gobs of semen extruded on co-eds’ expectant faces; and then, there it was: line by line, the swastika drawn in red ink over Celan’s face. It was thus that I—along with Joris, the other discussants, and the 50 some-odd people present for the talk—were made privy to the phenomenon known as Zoombombing.
Erella Dunayevsky’s stories evoke the dailiness of Palestinians’ lives under occupation. They take place over many years but, as Dunayevsky has written, “the essence of the stories is identical, whether they took place during the nineties of the previous century or are happening right now.” This next story comes very close to our time…
Yuval Noah Harari recently pressed journalists to get representative voices from Israel’s Arab citizenry into mainstream discourse. There may be risks in promoting the notion that Israel is a relatively open society since the country has two tiers of citizenship. Yet it’s also true that 20 percent of Israel’s population is Arab. They may be the minority that can save Israel from itself, as Black people redeemed American democracy in the 50s and 60s by forcing the country to end segregation.
Your editor means to keep responding to Harari’s Call to center Palestinian voices, with a little help this time around from “Haaretz,” where the following piece was published earlier this month …
…
Before you, reader, are words of pain. Powerful words. Stories of connection.
Beloved Erella, my oldest and dearest friend, manages in these pages to meet people beyond boundaries, to create connections in places of deliberate separation and to hold out a compassionate hand beyond the limitations of the regime.
Erella Dunayevsky’s stories bring home what Daniela Kitain terms (above) “the daily reality of Palestinians’ lives under occupation.” What follows is Dunayevsky’s own letter to her readers and two of her urgent yet timeless stories. First of the Month will post more of Dunayevsky’s dispatches in upcoming months.
……….
Dear Reader,
The stories before you take place over many years.
Figures and places vary, but the essence of the stories is identical, whether they took place during the nineties of the previous century or are taking place right now.
The Hebrew language only has four tenses: past, present, future and imperative. I actually need more tenses, as there are in English for example – past continuous and present continuous – so that you, the reader, will correctly interpret the stories before you. They constitute one story about ongoing occupation. A glimpse into the souls who constantly experience it. Something that began to take place once and continues to take place into time unknown.
The back cover copy (translated into English by Noelle Canin and Erella Dunayevsky) from Dunayevsky’s Standing Voiceless and other Stories of Resilience.
“We parted. Jaber accompanied us. As we picked our way through the piles of earth resulting from the demolition on the mountainside, on our way to our car we’d parked on the main dirt road, Jabar suddenly stopped, bent down and pointed to the tiniest green plant forging its way through the collapse of stones and earth, saying: ‘This is a Za’atar sprout, it’s determined to live.’”
The collection of sketches in this book describe a journey of long-standing, intimate encounters with people who live under the unbearable reality of ongoing occupation.
Photo By Ezra Gut
Sometimes I go down to Sodom
to talk to Lot’s Wife
where she looks out at the Dead Sea
Hold fast to the garden,
the little blue shine of a bird.
Its long, curved beak probes for nectar
in the flowering bush next to my kitchen.
Make this bird as necessary as knowing
what the government does in my name.
C’est un peu, dans chacun de ces hommes, Mozart assassiné.
I enter the hotel where Ricky has been staying since a few days after October 18 when she was forced to leave her house in Metula. In that home next to the northern border of Israel she had been dealing with her Parkinsons’ with walks in the garden in the morning and the afternoon, grab bars in strategic places, meals provided by a local organization, and visits and deliveries from shops she has known for 50-odd years. Now she is in a small room far from the elevator and can’t make it to the dining room because there are some stairs she cannot manage.
October 7 approaches. Many Israelis will be lighting memorial candles on the anniversary of Hamas’s attack on Israel. The occasion will also be marked by anti-Zionist demonstrations all across the West. It’s been a year of rockets and drones, rhizomic tunnels, assaults on Palestinians in the West Bank, slaughter in Gaza and now Lebanon. A zeeser jahr—happy Jewish new year? I think not.
Three things are required which are very rarely found together. Genius and charm (do not imagine that the people can be made to swallow anything insipid, anything weak). A very sure tact. And finally (what a contradiction?) there must be a divine innocence, the childlike sublimity which one occasionally glimpses in certain young beings but only for a brief moment, like a flash of heaven.
I flashed on Michelet’s insight when the new president of Sénégal, Bassirou Diomaye Faye, denounced a “dog-eat-dog world” in his address at the UN last week…
https://youtu.be/ba5-H1SbD9w?si=sNpgQYY1wsgDEEu6
Some readers might immediately recognize the name and distinction of Richard Evans, now Sir Richard Evans, the author of the study Hitler’s People.[1] Evans, the retired Regius Professor of History at Cambridge, was the scholarly companion-in-arms to Deborah Lipstadt when she was accused of libel by the crypto-Nazi provocateur David Irving. Even under the painful constraints of British libel law, requiring the alleged libeler (Lipstadt) to prove that she was right in having debased the libeled party, Lipstadt would win the case, thanks to Evans on her side. Irving had sought to enrich himself at Lipstadt’s and Penguin Books’ expense for falsely terming him a “Holocaust-denier” and “an ardent follower of Adolf Hitler.” Evans proved her correct.
In Hitler’s People, Evans makes a new departure from his previous achievement as a political and social historian of Nazi Germany. Here, he considers the character of the perpetrator. Who are these individuals who–along with Hitler, whom they worshipped—conspired to commit these monumental crimes against humanity, and quite particularly against the Jews? Is there a “new acquist/of true experience” to be had in examining the brief lives of the best-known criminals of the Nazi Reich?[2]—an experience, which Evans hopes, will equip us to better deal with the likes of a Trump and an Orbán (whom we’ve recently met on these pages as members of Autocracy, Inc., the worldwide collective of autocrats)? The jury is out.
Walking north along Whitehall in the direction of Trafalgar Square, I felt an odd stirring as we passed the memorials to Britain’s bygone military heroes. I didn’t really know who most of the statues represented, many of them seemed to be related to the Great Wars of the twentieth century, but it didn’t matter. Or maybe it did – the First and Second World Wars seem to loom over this country in a way that is much more present, much more remembered, than in America.
Your editor meant to post this Q&A with Yuval Noah Harari earlier this season but it’s still on time. Click here (and it might make sense to start around 4:50). Harari’s protest against Israel’s Roman turn remains urgent. As does his injunction to get representative voices from his country’s millions of Palestinian-Israeli citizens into mainstream discourse. (I don’t believe journalists have picked up on his prompts yet. Please let me know if I missed something on that front.) B.D.
Franz Kafka, a spiritual guide in these trying times, thought that there might be “a certain truth in a chorus (or choir)” of voices. For this choir, I propose vox populi and will draw counsel from readers of Anne Applebaum and listeners to Anne Applebaum who have written their reactions into the Web. After Applebaum spoke in London on “‘Putinism’: The Ideology,” one listener commented, quite simply, “Brilliant mind! Very articulate!” On another occasion, an admirer wrote, “Always, always great to hear Anne Applebaum speak. So deeply informed, humane and articulate.” I cite these voices because they speak to my own. True, another listener to her London talk complained about her very articulateness, since “being articulate like Ribbentrop or Beria (sic) is not a highly prized point of honor” (this is also what vox populi gets you); but readers of her latest book, Autocracy, Inc. aren’t likely to mind the clarity and force of her every word.
Green Border, which is showing until Thursday in NYC, is my idea of counterprogramming to the RNC. You won’t get out of the flic without tears, but it’s not for goodies only. While the movie leaves the implication that human beings may be “cured by altruism” (per Stanley Corngold’s First review), it also implies that such cures are not matters of opinion. What’s “good for body and soul” is “to risk your well-being in caring for others.”
One Brit critic had caveats and I’ll allow Green Border might not be a work of art that will work a century from now. Director Agnieszka Holland hasn’t come up with a genius metaphor for Fortress Europa. (There’s no cinematic equivalent to the hi-tech marijuana factory run by gangsters in the Dardennes’ immigration saga, Tori and Lokita.) But right here, right now — as I flash on the charmer Nur (a Syrian boy who drowns in a Polish swamp) — Holland’s humanism without borders is undeniable.
What follows is the soulful song that soundtracks a minute of joy in Green Border. A couple Polish teenagers nod their heads with three African refugees who rap along to Youssoupha’s testament…
Catch Eddie Palmieri’s smile (@ at 4:24) as his brother keeps firing…