to be in the now can stop pandemics
to be in the now
means not to be in the know
in the very long term we will all be covered with snow
A Website of the Radical Imagination
to be in the now can stop pandemics
to be in the now
means not to be in the know
in the very long term we will all be covered with snow
The Ten Dead Adults In The Supermarket
Are Pushed Aside By Nineteen Children
who smile naively from photographs –
Her proudly-raised Honor Roll certificate,
his “Change Maker” t-shirt.
For Christmas cards, politicians
pose their families with guns.
The guns shine. The guns are bleeding
the children again. Again
and yet again, rounds spent in endless repetition.
That church or concert hall. This classroom
with floors bleached, swept clean
of hair and bone. What needs to be done
not done. “The school had too many doors.”
Holes blown through their hearts, the parents
buy wood boxes, carved stone.
Friday, April 22, 2022. Photo by Emilio Morenatti
Chernihiv
The caption reads, Firefighter takes a break
He sits on a swing, only thing upright
after the bombing. Hands clasped in his lap.
She fears abandonment, his mom abused him.
Love twists into bitter repetition.
There’s always a deeper layer of pain,
a wound beneath the urge to hurt.
Warring nations mingle in my blood –
Russia, Germany, Ukraine, all the great-
great somebodies who boarded ships
pulled toward America’s promise-paved streets.
Their passports all stamped Jew.
Seven decades after what Benjamin Schreier calls, “the dominant event of Jewish American literary history,” which is the “‘breakthrough’ – the irruption in the 1950s of Jewish American writers like Bernard Malamud, Philip Roth, Saul Bellow, and Grace Paley into the heart of American cultural scene,” two Jewish American lyricists have received the Nobel Prize for Literature in a span of four years: Bob Dylan (born Robert Allen Zimmerman in Duluth, Minnesota in 1941) in 2016 and Louise Glück (born in New York City in 1943 and raised on Long Island) in 2020 (Schreier, 2).
Klay Day.
Immigrants, artists, tycoons seek New York.
Bloodstains from aborted dreams streak New York.
To friends from elsewhere, even the name awes.
Their eyes widen when I speak of New York.
Fickle city, we moth-fly toward your light.
You bless the rich, feed on the weak. New York
(for B.)
Secrets that lips hold back, the body shows.
Be gone, Sun. In moonlight, the body glows.
Rittenhouse sobs he shot in self-defense.
Entry wound in the back, the body knows
Martín Espada’s Floaters has won a National Book Award. What follows are poems from the book — along with an intro and a few echoes — originally posted here last spring.