Women’s Studies

Reeva Steenkamp

Cameras adore him —
that chiseled face, all
angle and shadow,
bright with tears. He sobs
about waking from nightmares,
won’t look at the picture
of what used to be my head.

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Institutional Memories

Honorable Discharges at the Dementia Center

don’t part your lips on the dementia ward
unless you want to be crammed full of puree
you’re in the company of mostly angels
who’ve already made it past their judgment day

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Irish Wake

Shane MacGowan in corner, strumming a guitar:

Oh, Kitty, my darling, remember,
that the doom will be mine, if I stay,
’tis far better to part though it’s hard to,
than to rot in their prison away…

Lincoln, sitting silently, chin in hand, leaning slightly forward, just like the portrait painted of him.

Enter Kennedy, walking in, as if to a press conference, but slightly slower. Lincoln, after a pause, as Kennedy stops, as if to look around: “You too? Well, that’s okay. I was kind of expecting you anyway.” Lincoln rises. Reaches to shake hands. “You look good. Welcome.”

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Me and Petrarch

my love’s way beyond unrequited
I need a new word now
to describe the yearning of yearning for someone
I’ve never even found

me and Petrarch
sitting in a tree
he’s gonna be married
long before me

Estrellita’s is a world-class wit but her stuff is more than clever. It’s deep too. And it’s getting deeper. Dig Estrellita’s new stretchy collection of lyrics which starts with a Rolling Stones tribute and ends on “Petrarch’s Ark.”

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The Drop Edge of Yonder

Rudolph Wurlitzer’s novels have moved a generation of writers and rockers. He’s carried his themes and dreams along the “celluoid trail,” writing screenplays for memorable movies such as “Pat Garrett and Billy the Kid,” “Little Buddha,” “Walker” and “Candy Mountain.” His latest novel, “The Drop Edge of Yonder,” is a book (as per Patti Smith) “you watch as you read, cast the film as you reread, and create a sequel as you sleep.” Scott Spencer has wondered at “Yonder” too: “I have never read anything like it. Every page transports the reader from the cerebral to the visceral and back again, until you start to feel that in the end there is no difference between the two.” Take the following chapters from Wurlitzer’s soulful trip as an invite to get “Yonder” .

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Starlet Letter

Estrellita still ain’t got no band but her new (virtual) album drops the same month as Leonard Cohen’s who’s one of her heroes. She composed about half the lyrics here in a hot rush last New Year’s eve/day, which calls to mind a story Cohen once told about Bob Dylan:

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