Manny and Bill, Willie and Joe

My Uncle Manny, a doctor, was at the Battle of the Bulge. When he came home, he lived with us on 46th Street. After he moved out, he left behind a collection of German beer steins and some books. He never talked about the war in my presence, and only one of those books pertained to it: the cartoonist Bill Mauldin’s Up Front.

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Irrevocable

Diane Arbus: A Chronology 1923-1971 by Elizabeth Sussman and Doon Arbus. Aperture, New York, 2011. 185 pps.

During the last years of her life, Diane Arbus visited institutions for the mentally ill to photograph the residents, people often physically as well as mentally disabled. I remember being repelled by these photographs, and gathered that Arbus had by now crossed a line in her own mental state, becoming engulfed by a spiritual/emotional darkness from which she would never recover. She committed suicide by slitting her wrists in 1971 at the age of 48.

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Porn Theater: On Houellebecq & Bolaño

An oasis of whore in a desert of boredom: “La carte et le territoire”

Houellebecq, in the end, will probably be remembered as the kind of writer who never forgot to tell us how much an upscale prostitute charged extra for anal sex in the third millennium

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Matinees and Memories

When I was a boy, my father took me to westerns (Whispering Smith, Red River) and my mother to musicals and Disneys (Easter Parade, So Dear to My Heart).

But once I entered fourth grade (1951), my parents decided I was old enough to attend Saturday matinees alone.

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Marcel Mauss (& OWS)

Anarchist and ethnographer David Graeber – author of (among other timely works) Debt: the First 5,000 Years (2011) – doesn’t want to be known as the idea man behind OWS, but his vision of direct economic and political democracy is one key to the movement. Graeber helped organize the group that occupied Zuccotti Square. But, according to a report in Chronicle of Higher Education:

Three days after the protests began, Mr. Graeber left. Since then, he has kept a low profile because he wants to avoid what he calls an “intellectual vanguard model” of leadership. “We don’t want to create a leadership structure,” he says. “The fact I was being promoted as a celebrity is a danger. It’s the kids who made this happen.”

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Nat Tate

Some of you know the story. It was briefly the rage in New York and London in 1998. But in my cultural backwater of Berkeley, where people were still plotting the revolution, I had never heard it. So when Robert the K, noted glass artist and critic, told me about a book he had just finished, I asked to borrow it. This book, Nat Tate: An American Artist 1928-1960 was by William Boyd

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Strange Gods

Pop star can’t resist pop quiz. Everybody knows Lady Gaga’s been flirting with Slavoj Zizek, but, hang on—as per Vanity Fair‘s kiss and tell column—Ke$ha is dating “radical” professor Fredric Jameson. This is an academic tycoon who knows how to $pend his time. The way he lives now sent First back to a passage where Robert Hullot-Kentor paused to wonder at Jameson’s knack for finding the green back not just of all things libidinal but of all things conceptual as well. Hullot-Kentor quoted—then queried—Jameson’s invocation of the investment values of “Adorno’s stock:”

“As for the current ratings of Adorno’s stock.”…Adorno’s stock? Its ratings? While these words beat about the ears, read also a few pages later that Adorno wants concepts “cashed at face value”. Cashed? Adorno wants cash for concepts?

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Weiner’s Complaint

Not long after Philip Roth published Portnoy’s Complaint, Jacqueline Susann went on the Johnny Carson show. Susann, we remember, had become famous for her pulp novel Valley of the Dolls, which triangulated, in what seemed an all-American way, ambition, sex and barbiturates. Everybody was a “user” in more ways than one. By 1969, the year Portnoy’s Complaint was published, the paperback version of Valley of the Dolls had been as inescapable in the supermarket as the Coca Cola trademark.

Carson asked Susann if she had ever met Roth. No, she said, but that she would like to. Then she famously added, with the coyness of a Mickey Mouse Club graduate: “Of course, I would not like to shake his hand.”

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Impact, Impact, Impact: Anxiety and Lebron James

I To Have or Not to Have?

So much attention has been paid to the Miami Heat—including myriad analyses of the nature of offenses revolving around a number of stars vs. one or two, what role players are all about, and how much experience/stature a contemporary coach hired (and presumably tutored) by Pat Riley must have—that it’s hard to have any new thoughts (feelings come easier) about Miami and LeBron James, who is becoming an enigma nearly as impenetrable as his thick tattooed arms.

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On Present-Mindedness in the Writing of History

In The Purpose of the Past: Reflections on the Uses of History (2008), the distinguished American historian Gordon Wood warns against the distortions of reading the present into the past or seeing the present as an inevitable outcome of events in the past. At the same time, he knows that present-mindedness is not entirely avoidable. Its complete absence from a historical perspective turns into antiquarianism.

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Hustle and Blows

Two weeks ago, the author sent First this commentary on the state of boxing.

Last night, HBO aired the best thing it has shown all year: a live broadcast of a middleweight championship boxing match between champion Sergio “Maravilla” Martinez and Paul “The Punisher” Williams. Both are widely regarded as two of the top five fighters active in the sport, and the drama and ferocity of their first match earned it widespread acknowledgement as the Fight Of The Year 2009.

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Hipsters ‘R Us

Where were you on April 11, 2009? On that day, writers for and readers of the lit-journal n+1 participated in a symposium at NYC’s New School on “the contemporary hipster.” Papers were read, then a panel discussion was held to which audience members—there were 175 attendees—were invited to contribute. I missed it.

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Left Behind: The Rapture

Michael Berube, The Left at War, New York University Press
The Invisible Committee, The Coming Insurrection, Semiotexte
Tom McDonough, ed., The Situationists and the City, Verso

The three works under consideration here – the first, a survey of assorted leftist interventions from the past couple of decades, the second, a political sensation from a couple of years ago, the third, an assemblage of texts from the 50s and 60s – have nothing to do with anything in the news now. But, taken together, they tell us enough about where we are. It isn’t good.

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Appraising Tony Judt

Tony Judt lost his courageous battle with Lou Gehrig’s disease. Shortly before his death, he appeared on the Charlie Rose program, strapped to a chair, speaking through an enabling device with astonishing force and clarity on a wide range of subjects. I can’t imagine anyone, whether critic or admirer, unmoved by the scene.

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Fish and Chips: The Crisis of the Humanities in the U.K. and U.S.A

Politics in the United States and Great Britain are again marked by intense hostility toward the expanded role of modern liberal states. Since most opponents of public investment are simultaneously enthusiastic consumers of many of its results—for example, public education—the feebleness of most defenses of public investment is usually hard to understand. But not always, because it is notoriously difficult to persuade people one cannot be bothered to understand, or toward whom one is visibly contemptuous.

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When I Paint My Masterpiece

ELGIN REDUX?

When Chicago Bulls forward Luol Deng missed his second of two free throws with two seconds remaining and his team leading 108-106 in the third game of the Chicago-Cleveland first round NBA playoff series, it was clear LeBron James would not have an overtime period of five minutes in which to add to his total of 39 points.

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Politics and Theater

In 2007, in the midst of a glut of anti-Iraq-War plays, experimental theatre venue P.S. 122 presented the most challenging piece of political theatre that I’ve seen performed in New York in my lifetime: Young Jean Lee’s Church.

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Battles of Ajami

Fifty years ago, the Israeli film industry was largely churning out pro-Zionist propaganda films (Ephraim Kishon being the rare exception). To represent its face to the world in 2010, Israel brought to the Academy Awards an Arab-language flick co-directed by a Palestinian and a Jewish Israeli, focusing largely on inter-Arab issues; Ajami was one of the five nominees in the Best Foreign Film category.

The Palestinian co-director has been called a collaborator. Israel’s nominating committee has been demonized as a pack of lefties. But something is changing on the streets of Jaffa, whose citizens have been given, in Ajami, both a mirror in which to behold their own community and an international voice.

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Nailing Avatar

The fallacy that great events have great causes tempts both film critics and civilian interpreters to explain mass ticket sales in pretty grandiose terms. Avatar, touted to displace Titanic as the movie with the biggest box office gross in history, has provoked this impulse with a vengeance.

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From Hunger

David Shields, Reality Hunger, Knoph.

Nothing lasts forever. After several decades of dire warnings about its frailty, what if the novel — long the linchpin of print culture — has finally died? It can happen; one day, it will happen.

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