Robert Lowell x 3

1. I was crossing Harvard Square, coming from the Coop, on my way to Adams House, where my study was. I saw Lowell near the kiosk and he saw me about the same time. He waved me over. “The most extraordinary thing has happened,” he said. “Can you come with me?”

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Dreams Fade Into the Everblue: Lori McKenna’s Bygone Humanism

“Here is what I know” is the first line of “A Mother Never Rests,” the opening track off country singer Lori McKenna’s latest LP. “Even when she’s sleeping she’s still dreaming about you”–her voice is weary yet sure of wisdoms both received and earned. McKenna dives into the laundry-list of domestic chores and anxieties expected of a mother in red-state America.

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iLied

I spent my middle school years without a phone. I had an iPod. There’s not much  difference but back then a phone and iPod seemed a world apart. (An iPod cannot use cellular data, so you can’t use it without wifi. iPods also can’t make phone calls.) I remember the biggest (most shaming) difference was that on the back of the iPod, iPod was engraved in large letters. Whenever I used my iPod around people I used my fingers to cover that humiliating logo.

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What Just Happened? (Kiarostami in Tokyo & Obama in Johannesburg)

The late Abbas Kiarostami’s Like Falling in Love (2012) was originally titled “The End,” which would’ve underscored the final scene’s go-to-smash upending of viewers’ presumptions. The film, set in Japan, works like a gently penetrative Ozu-y character study until it’s transformed utterly by a sudden act of violence in the last second(s).

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A Response to “When Children Say They’re Trans”

Jessie Singal’s piece, “When Children Say They’re Trans,” in “The Atlantic,” raises red flags about therapists and activists who promote medical transitions (including double mastectomies for teens as young as 13 diagnosed as transgender). Journalist Singal isn’t out to start a moral panic; he places the dangers of such “affirmations” in a larger youth cultural context: “Some teenagers, in the years ahead, are going to rush into physically transitioning and may regret it. Other teens will be prevented from accessing hormones and will suffer great anguish as a result. Along the way, a heartbreaking number of trans and gender-nonconforming teens will be bullied and ostracized and will even end their own lives.”

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Talk About “Abortion”

It is more crucial than ever to speak about “abortion rights,” not choice. The word “choice” is meaningless and always has been a running-scared retreat from the real matter of bodily sovereignty for females. Biological determinism is a social idea. Just like social Darwinism, capitalism, and religion.

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Razzle Dazzle: Alison Stone’s New Poems

Alison Stone has been a vital voice in First of the Month‘s mixes for nearly 20 years. The following poems from her new collection, Dazzle, testify to her undimmed instinct for happiness inside the dailiness of life. Not that she’s Ms. Beamish. Stone often gives First first shot at her more engagé poems. One of them recently got up Facebook’s nose.

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On Waller-Bridge

When asked (by your editor) if she enjoyed Phoebe Waller-Bridge’s shows, Laurie Stone replied “I am a huge and maybe the hugest admirer of Fleabag and Killing Eve…She is brilliant, and brilliantly alternative, food for the starving.”

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John Berryman On News We Can’t Use

Who can keep up? It wasn’t so long ago that we were concerned because the print press couldn’t keep up with the 24/7 news channels, which had scandals and disasters on the air while they were still in progress. Now, the 24/7 news channels can’t keep up with themselves: by the time they’ve assembled a panel of Wise Ones to analyze the most recent infamy, another one has unfolded. Or two. Or three. There is no pause, no day without too many tales to tell, let alone to tell well.

Which is why John Berryman’s 1939 poem “World-Telegram” has new currency. It is about the weight of headlines, of leads, of information that can barely be understood, let alone borne.

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