Various Authors

Politics of Local People

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C. Liegh McIness and Benj DeMott discuss the demise of SNCC, the nature of grassroots organizations, and the character of people who end up in them in the thread below.

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Papi Don’t Preach: Pedro Lemebel’s Anti-Macho Metaphysics of Love

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Pedro Lemebel, queer artist and radical provocateur, was acknowledged to be an “essential figure of Chile” in his own country when he died in 2015. His work and life–“more than a writer; he was a free man” (per Wikipedia!)–are now becoming better known in El Norte. A documentary film, Lemebel, came out last year and Lemebel’s book Loco afán: crónicas de sidario (Crazy Desire: chronicles of the AIDS ward) has just been translated into English. What follows is a swatch from that report on gay life and death in a Latin American city of night.

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Homage to Spanish Anarchism

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Stephen Schwartz, co-author of Spanish Marxism versus Soviet Communism: A History of the P.O.U.M. in the Spanish Civil War, has linked a number of his associates to the film below (which is available on Youtube). Your editor, in turn, passed the link on to another distinguished author of a recent book on the Spanish Civil War, Adam Hochschild, who was wowed: “Amazing. I’ve seen lots of still photos from this time—which must have been in the first month or two after the beginning of Franco’s coup—but didn’t know there was film.”

https://www.youtube.com/watch?v=UVv6ampdPeY

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Long and Winin’ Road: Jelly Roll Morton and Little Richard

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Jelly Roll Morton’s “Winin’ Boy Blues” from the famous Alan Lomax Library of Congress sessions seems to belong somewhere in the rootsy back story that W.T. Lhamon dug up above. In his account of Little Richards’ rise, Lhamon notes Richard was shy about singing gay sexy lines in his original version of “Tutti Frutti” to the lady lyricist who helped him clean them up (a tad). The history behind that shyness is hinted at in Jelly Roll Morton’s recitation before singing “Winin’ Boy Blues” which, as Morton explained, was part of a campaign intended to forestall any doubts about his own sexuality: “Of course, when a man played piano, the stamp was on him for life–the femininity stamp. And I didn’t want that on, so, of course, when I did start to playing, the songs were kinda smutty a bit. Not so smutty, but something like this.” (I should add that Jelly’s rough and rowdy ways co-existed with a genteel side; he asked Lomax to have the lady stenographer who was transcribing his words leave the room before he did his dirty work of genius and lust.)

He Gotta Go Now

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Per Bob Dylan: “Prine’s stuff is pure Proustian existentialism. Midwestern mindtrips to the nth degree… If I had to pick one song of his, it might be ‘Lake Marie.’” (There’s a great live version here.)

Broadway by Light

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Watch the classic short film from 1958 by William Klein (with help from Alain Resnais and Chris Marker). Click on “Read more” for a bigger screen.
https://www.youtube.com/watch?v=_2x144mSwtM&t=2s

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Interview with Michael Rumaker

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The following interview with Michael Rumaker, conducted by Ammiel Alcalay and Megan Paslawski, appeared in the City Lights Books edition of Rumaker’s Robert Duncan in San Francisco. Appended to the interview is a note Alcalay wrote for Rumaker’s Memorial service last year.

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