R. H. Blyth – First of the Month

The Humor of Senryu

June 12, 2024June 1, 2024 by R. H. Blyth

The bulk of what follows comes from Chapter 18 of R.H. Blyth’s “Japanese Life and Character in Senryu,” though these excerpts may also be found in the posthumous best-of Blyth, “The Genius of Haiku.” (A book with a title that has a double-meaning.) The opening is from Blyth’s introduction to “Japanese Life.”

The fundamental thing in the Japanese character is a peculiar combination of poetry and humour, using both words in a wide and profound yet specific sense. ‘Poetry’ means the ability to see, to know by intuition what is interesting, what is really valuable in things and persons. More exactly, it is the creating of interest, of value. ‘Humour’ means joyful, unsentimental pathos that arises from the paradox inherent in the nature of things. Poetry and humour are thus very close; we may say that they are two different aspects of the same thing; Poetry is satori; it is seeing all things as good. Humour is laughing at all things; in Buddhist parlance, seeing that ‘all things are empty in their self-nature’, and rejoicing in this truth.

Poetry is Everyday Life

April 14, 2024April 1, 2024 by R. H. Blyth

This is a chapter from Blyth’s first book, Zen in English Literature and Oriental Classics.[1]

…
From Aristotle down to Arnold it was considered that a great subject was necessary to the poet. Arnold says that the plot is everything. It is useless for the poet to

imagine that he has everything in his own power; that he can make an intrinsically inferior action equally delightful with a more excellent one by his treatment of it.

Wordsworth stands outside this tradition by instinct and by choice. He chooses the aged, the poor, the idiot, the vagrant, but does not endeavour to make them “delightful” at all.

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“Laurie Stone’s Streaming Now is a book of journal-like entries, scraps of critical pieces, bits of memoir, and it is a delight. She calls these fragments postcards, which is charming and accurate up to a point, but the writing is better than any postcard you ever got unless you got one from Laurie Stone and she wrote it really small so all the wit and all the passing contemplations could fit. She writes about life during COVID, at home with ‘the man I live with’; about old friends and glancing love affairs; about books and films and television shows, with a deeply appealing combination of spitfire skepticism and a constant openness to pleasure and joy. One is reminded in multiple ways during the reading that Stone came of age and was politically, intellectually and emotionally shaped by the struggles and commitments of second wave feminism, and we’re further reminded that for feminists like Stone the movement was not only about rights, and not at all about protections for women, but about freedom for women, a much more dangerous thing, for women and for society at large. Freedom is a long lost idea. It had a specific erotic push and was battled back as eroticism always is. Autocracies are always puritanical. Everything about Stone’s writing is oriented toward freedom and much of her linguistic and literary sensibility specifically evokes erotic and intellectual freedom–the very sound of the sentences, their surprises, the quick adoption of new positions in relation to the thing looked at and engaged with. So, one recognizes that a simple seeming book of pensées is really the exploration of a distinct and valuable cultural point of view. We are lucky to have it.” –Vince Passaro, author of the novels Crazy Sorrow, and Violence, Nudity, Adult Content

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From immigrants to insurrectionists, from Demeter to David Bowie, Stone gives us searing, moving poems filled with powerful imagery and an original music.

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Order from Bloomsbury here.

Expeditions to Kafka
Selected Essays
Stanley Corngold (Author)

In this new volume of Kafka studies, which is addressed to both beginning readers of Kafka as well as Kafka scholars, Stanley Corngold discusses Kafka’s work in a variety of novel perspectives, including Goethe’s The Sufferings of Young Werther; Nietzsche’s conception of aphoristic form; bureaucratic organization; accident and risk; the logic of possession and inheritance; and myth, among others.Even as Corngold explores Kafka’s work across different fields and tangents, he does so in vivid, readable prose, free of jargon, and with an eye to Kafka’s ongoing relevance to the concerns of his day and ours. Taken together these linked essays reveal Kafka in his astonishing many-sidedness.

Read an extract here.

Published	Aug 10 2023
Format	Ebook (PDF)
Edition	1st
Extent	336
ISBN	9798765100448
Imprint	Bloomsbury Academic
Publisher	Bloomsbury Publishing

Reviews

With superb erudition and his inimitable flair, Stanley Corngold’s Expeditions offer a magisterial guide through the intricate and ambiguous terrain of Kafka’s texts. Insights abound, providing a comprehensive and consistently profound investigation that strikes the perfect balance between drawing interpretive conclusions and maintaining hermeneutic openness-a culminating accomplishment by Kafka’s most inspired and most inspiring reader.

John T. Hamilton, William R. Kenan Professor of German and Comparative Literature, Harvard University, USA

You are not being introduced to Kafka – you fall into his stories as you fall into a trap, the bait emerging in the interstices between his words and your mind. That said, Corngold’s Expeditions are by far the best introduction to Kafka I have seen. He invites you to join him on his ventures into Continent Kafka, and he inspires you to stray off from his expeditions on your own terms, and risk.

Benno Wagner, Professor in German Studies, Siegen University, Germany

Stanley Corngold has been reading, reflecting, and commenting on Kafka and his writings for more than half a century. He has become our most penetrating and luminous guide to Kafka’s labyrinthine world. These essays, the distillate of a lifetime, manage both to reveal and to preserve the mystery of Kafka’s genius.

Robert Norton, Professor of German, University of Notre Dame, USA