Patricia Williams’ The Miracle of the Black Leg, ends aptly (and elegantly) with a survey of the familial photo archive she recently deposited in a Harvard university library. She muses about “archiving as a social process” in her book’s final paragraph:
I yearn to have future beings see me and my wonderful forefathers and -mothers. We were all here! I wish them to live in social imagination more fully than many of them were able to while on the planet. And so I need to explain, I am constantly explaining. I am always looking for the right words, the right accent, the perfect analogy, the smoothest homology, the felt connection, the link that sparks a mental orgasm of humanizing recognition.
Williams squeezes out sparks in her chapter on her family and throughout The Miracle of the Black Leg. Try this extended excerpt from a passage on NOLA in a chapter titled, “The Dispossessed.” I think you’ll experience a kind of drawn-out “mental orgasm.” You may also cheer for Ms. Williams as she bites a hand that’s fed her.