why do it in poetic form?
because in an infinite variety of ways
that reside in the breasts of all living souls
any solution to the Fascist trend in all states
pulses and grooves inside each of us
we hear the basic call of consciousness & conscience
Charles Keil
Poem for July 3rd (& Larkin Poe’s Covers)
hearing larkin poe ‘wade’ before seeing
being with them before knowing them
we was blind as willie johnson
………….(a hundred years ago)
………….(in the arms of Our Mother)
hearing what Studs T wanted me to hear
“ALL her uncles is musicians”
so how could we be [“culturally deprived”]
in the cotton patch…she won’t even say the words
Mindful Keil
to be in the now can stop pandemics
to be in the now
means not to be in the know
in the very long term we will all be covered with snow
Late Bouquet: Pansies from “Easily Pleased”
The book’s title, Easily Pleased, comes from an interview with Louie Bashell in Polka Happiness by Charles and Angeliki Keil (Philadelphia, Temple University Press, 1992), 141. Bashell muses:
It’s a very melodious music. Simple music and melodious; you don’t have to be a genius to play it, you know, or have good technique, or anything like that. It’s just a flowing music. Polish music has various frills and trills in it, a very distinct flavor, while Slovenian music is plain, simple notes that just move–nothing fancy. I’ve never come across a piece of Slovenian music that was difficult. The Slovenians are so easily pleased. They don’t have to have nothing special.
Letter from Charlie
Your editor passed on C. Leigh McInnes’ “Letter” to Charles Keil, who has long grasped imperatives of African American nationists. Keil responded with his own letter…
Eclectic Boogaloo & Participation Theory Now!
https://www.youtube.com/watch?v=RrrJvYLH_kc
What follows is a poem—inspired in part by the grainy yet graceful video above—and a short program for the Academy dashed off by Charles Keil.
i’m a simple man by Nature
from my “subject position” or point of view Don’t Compare Identify
Keil’s Tree of Life
Charlie Keil caught up with Aretha Franklin’s “Tree of Life” last week. When your editor mentioned there were other wonders on Franklin’s Rare and Unreleased CDs, Keil mused about another rare Ree: “I think I still have somewhere a 45 rpm single of Aretha’s ‘Precious Lord’ that I picked up at Chess Records office.” Keil responded to Aretha’s call with this shapely poem …
Kosovo and the “Clean Left”
Charles Keil emailed First of the Month a series of essays, notes and poems during, and immediately after, the war in Kosovo. Keil’s messages were marked by his determination to keep thinking–and feeling–in the face of fascism. Here are excerpts from his communications.