Celeste Dupuy-Spencer responds below to a comment prompted by last season’s Alice Neel show at the Met:
“There was a really odd wokey line in an explanatory side-bar to one painting of a black woman who helped Neel around the house. The portrait was of this woman with her infant son…– One of dozens Neel did of moms…and neighborhood people – Anyway – the curators hinted that the picture evoked a certain exploitative relation…- Maybe… but that surely wasn’t obvious…– And I thought to myself – this painter had NO money for decades – no studio EVER… – and lived in hoods the Met curators would never have set foot in…So their tut tuts seems FUCT to me!”