High Low Country: The Baraka/Dorn Correspondence

I’m sure you’re going to somehow manage to say the opposite but mean the same, which we two I like to think always do. It is a good necessity. I just hope we don’t get caught, isolated from each other, across the river, waving.
—Ed Dorn

…[R]isk is something I need…I don’t expect to be right, but it does profit my energies when I am. Moreover it’s the swing itself I dig, if I feel it. Ditto I think you go by that. But I do feel close to you, whatever I say or however.
—Amiri Baraka/LeRoi Jones

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Going Pop: From Hirschhorn’s Folly to Macklemore’s Heist

The wiz behind the Gramsci Monument erected this summer—and now disassembled—in the center of a South Bronx Housing Project is no Oz. Thomas Hirschhorn is sincere about “doing art in a public space.” He was a presence at his creation, which was open every day this summer. The artist meant to stretch himself before and after his opening, living in the hood, hanging out at his Monument.

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Lead Us On

Ta-Nehisi Coates’ first take on Obama’s impromptu speech after the Trayvon Martin verdict still seems on point: “No president has ever done this before. It does not matter that the competition is limited. The impact of the highest official in the country directly feeling your pain, because it is his pain, is real. And it is happening now. And it is significant.” But Coates’ clarity about wha’ppen is already at risk given news cycle mindlessness.

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History Twist

Yesterday’s Papers

An elderly friend of mine—a white southern liberal—once told me a tale that helped me grasp how far his kind traveled in the 60s. He came from a close-knit military family and he’s never doubted his father was one of the wisest—and bravest—of men. Yet one day, as my friend was reading a New York Times report on a firefight in Viet Nam, he was shocked to find he was siding with enemies of his country (and his daddy).

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Within the Context of Obama

On Inauguration Day and on the day before the State of the Union address, I went to Serious Times dialogues – academic seminars (at New York’s School of Visual Arts) where American radicals ponder “Why doesn’t the United States make social progress?” What follows here takes in the distance between doomy discourse there and spectacles of social progress enacted by Obama et al. as he launched his second term. But it’s not locked on that opposition. I try to say true things about where we’re at now by treating old and new acts of mimesis, including classic Russian novels by Vasily Grossman and a soon-to-be classic hip hop CD by Kendric Lamar. My approach to politics and high/low culture is intuitive. This is not a scholarly essay. Call it an experiment in synchronic method.

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Dreams From Our Avatars

“You should be asking what his wife thinks of him.” That was Bob Dylan last month stiffing a Rolling Stone interviewer who entreated him to endorse Obama or at least concede racism was at the root of right-wing rage against the President. Dylan’s evasions got me thinking about who he is now and how he became an American avatar. I’ve gone on to consider the aspirations of other pop artists who’ve dreamed big in the Age of Obama.

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From Unger to Fulfillment

James Brown once wondered at anti-war protestors who headed for Canada in the 60s – they wanted out of the U.S.; J.B. wanted in. I’m reminded of the distance between him and them, when I try to take the measure of “hard” left disdain for Obama.

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B-Side

What follows is not a review of the new collection of the late Ellen Willis’s rock criticism,Out of the Vinyl Deeps[1], but a sort of answer record remixed from old and new episodes in my own pop life. Hope it reads half as well as, say, Mouse and the Traps’ “Public Execution” sounded after “Like A Rolling Stone.” (Or did that Dylan imitation follow “Positively 4th Street”? Ellen—Mother of all Dylan critics—would’ve known!)

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Looking Backward

I went to Cairo a couple of years ago to attend a conference on international health. It was held at a hotel down the hill from the pyramids at Giza and on a free day I did my touristy duty. The pharoahs’ tombs didn’t get me too high. Maybe because I kept my head down to avoid all the con men on camels (the sort of hard guys who were recruited to ride out of Giza and bumrush the crowd at Tahrir Square). I finished up at the Sphinx, which paled next to the realer-than-neo-realist spectacle of hungry kids begging under its broken nose, fighting over scraps and almost falling off ramps with no railings to protect them from fearsome drops.

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Grounded: Thinking Through the “Ground Zero” Mosque

Prologue: New York Story

I went in for the matzo ball soup and ended up married to a Muslim. I met my wife-to-be while she was working as a hostess at Carnegie Deli. Her New York immigrant story has been in my head as I’ve read political narratives about the “Ground Zero” mosque. I might have given New Republic editor Martin Peretz the benefit of doubt when he wondered whether he should “honor” the people behind the mosque by “pretending they are worthy of the privileges of the First Amendment when I have in my gut the sense that they will abuse it.” But I knew in my gut he was out to lunch once he’d spelled out his own bias in his now notorious statement: “[F]rankly, Muslim life is cheap, most notably to Muslims.” When I read that line, I flashed on my wife leading me around a Senegalese Sufi cemetery on a blindingly hot day in search of her beloved grandmother’s grave.

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Nationtime

“My heart is full of love for this country.” Barack Obama in The Audacity of Hope

“I actually believe my own bullshit.” Barack Obama (quoted) in Renegade

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