Monk (68) and Monk in Europe (1968) are streaming at Pioneers Works film site until June 28th. (Click on titles to watch now.) Directed by Michael and Christian Blackwood, the first chapter of this twofer follows Monk and quartet members Charlie Rouse, Larry Gales, and Ben Riley. They play at the Village Vanguard and at recording sessions for Columbia Records in New York, and at a Jazz Festival organized by George Wein in Atlanta. Monk in Europe (1968) “features the quartet on a European tour with Ray Copeland, Clark Terry, Phil Woods, and Johnny Griffin, traveling as part of George Wein’s Newport Jazz Festival road company to London, Stockholm, Copenhagen, Berlin, Mainz, and Rotterdam.”
Swatches of the Blackwoods’ footage formed the basis for the 80s Monk documentary, Straight No Chaser, but this is Direct Cinema, minus talking heads and mighty explainers. The Blackwoods dig Monk’s music. They’re with his hard rhythm-a-ning throughout. And he gets stellar help in Europe from trumpeter Clark Terry on “Straight No Chaser.” After Monk takes the tune back and knocks it off definitively, he shares a clasp with Terry as they walk off stage. It’s a nice moment, memorable in part because Monk generally seems locked inside himself. The movie isn’t an easy watch for that reason. It’s not groovy despite Monk’s grooves. His famous wheeling dance seems like a portent of a dizzy-scary future. There’s a tough scene in the studio (or maybe it’s in the club) where he’s trying to get out of a room and opens a closet door. The music is still good to him and us, but it’s pretty clear that pretty soon there will be no exit for him.
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H/T to filmmaker Jeff Kreines who put this clip from the Blackwoods’ footage on You Tube with the following comment: “This shot at the airport always struck me as a good example of someone looking and thinking while shooting.”
Imagination might just come down to paying attention. Maybe that’s why the Blackwoods’ films bring you nearer to Monk’s mind than the outside informants in the standard doc who explain how he began to lose it in the 60s.