Some Thoughts on Trump

The author wrote this post last month, before last Thursday’s debate, but his movement of mind is not only not out of time, it chimes with Cong. Jamie Raskin’s bracing clarities in a Q&A yesterday

It’s a familiar trope of old horror films. Everyone is aware of the fanged entity creeping up on the heroine, except the femme fatale herself. You might be tempted to point, or even scream “Behind you!” But, of course, you won’t be heard.

There is something strangely analogous to that frustration – not being heard – which might strike a chord with those who have tried to express their misgivings about Trump to those of other persuasions.

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A Fantastic Boxing Novel

Let it be known that W.C. “Bill” Heinz’s “The Professional” is the best boxing novel ever written. He was the Balzac of boxing, a master of unadorned prose.

Let it also be known that Lucia Rijker, “The Dutch Destroyer,” was the best female boxer I ever saw, a stone cold Buddhist killer. I saw her once on the street in New York and she was a beautiful dark angel.[1] 

And let is also be known, finally, that Rita Bullwinkel is a young writer and I am an old reviewer.

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Ode to Joy

Originally posted here seven years ago…

The other week, deep summer, we went to see David Johansen in his persona as Buster Poindexter. For many years now, Johansen, former New York Dolls lead singer and front flounce, has in his cabaret act been one of the great American songbook curators (Jonathan Schwartz wishes), lurking in the brilliant corners of U.S. pop. (Without Johansen I’d never have heard Katie Lee’s late-1950s pop-Freudian homage, Songs of Couch and Consultation, lead song “Shrinker Man.”) At the end of this particular set at City Winery, he called to the stage his wife Mara Hennessey, who announced that she had a particular favorite she’d like David to sing, whereupon she started to intone the line, “that summer feeling, that summer feeling, that summer feeling,” and Johansen took off into the lyrics. It was so haunting! I knew that song! What was it again? When I got home I looked it up and of course: Jonathan Richman’s “That Summer Feeling.” Astonishing song.

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Into the Tradition

I perked up when “Taxi Brousse,” which sounded like a kora-cized version of “Can’t Buy Me Love,” came on Spotify’s Oumou Sangaré Radio. This 1 plus 1/2 minute song was put down a few years ago by 3MA — an Afropop supergroup made up of three players of different string instruments: Ballaké Sissoko from Mali on kora, Driss El Maloumi from Morocco on oud and Rajery from Madagascar on valiha. The band takes its name from the first two letters of each member’s country of origin in French: Madagascar, Mali, and Maroc.

One song led to another…

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In and OUT

Pullen’s tribute to Monk (and Powell), which comes with his own perfect swirls, is echt modern jazz, like Monk plays Ellington.

House

Childhood’s a house of slanted rooms
at the intersection of nostalgia and pain.
Has the spirit nowhere better to live?
The heart’s a predictable fist.

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Homie

I hadn’t seen my musician-friend for a bit, but we met up by the 125th St. pier one evening before the heat wave hit. I headed down to the same spot the next night, hopped the fence and sat closer to the river. He’d sent me a link to “Unwind” after I got home the day before. It was in my ear as I unwound with the breeze and a corona, though the song is more exacting than relaxing…

Hope you feel the precise ache in the singing/playing, and don’t pass over the lovely wordless outro. Like the singer, you may feel like you’re waiting on someone, but I wonder if it’ll turn out better than this song’s ender…B.D.