A Website of the Radical Imagination
Philip Levine responded to early First of the Months with assonance-first praise of your editor whom he termed a “young warrior for justice in the nut house of America.” That praise was insanely over the top and I proved it to Levine double-quick by screwing up a quote in the poem he contributed to the … Read more
In 1991, Oliver Stone slandered Lyndon Johnson in his film JFK, accusing Johnson of complicity in the assassination of President Kennedy. A number of historians and political figures (including Johnson Aide and Carter Administration Secretary of Health, Education, and Welfare Joseph A. Califano, Jr.) have argued that Ava DuVernay’s new movie Selma defames LBJ as … Read more
I Selma traduces LBJ (see above), but what’s worse is its take on Martin Luther King’s deliberations in the days after the police riot on Pettus Bridge terminated the first major Civil Rights march in Selma. That time after “Bloody Sunday” was one of many sequences during the 60s when King would end up “fire-fighting.” … Read more
Thanks for the inquiry about the movie Selma. I used to avoid all media about the movement. The stuff never rang true. Then I realized these treatments were just takes on an imagined past; they’re not about my reality. I saw the movie yesterday. My favorite part was the old black and white film, in … Read more
The date was November 19, 1995. The place was the Shrine Auditorium in Los Angeles, California. It was there that a two-hour television special was being taped—yes, taped—celebrating the oncoming eightieth birthday, December 15, to be exact, of the preeminent singer of the twentieth century: Francis Albert Sinatra. Broadcast on December 17 by ABC, the … Read more
About 100 pages into David Ritz’s unauthorized biography of Aretha Franklin, Respect, I flashed on Greil Marcus’s tagline for his book on Punk, Lipstick Traces, which he dubbed: “the secret history of the 20th Century.” Ritz’s concept of Respect is less expansive, but his deeply sourced raps on black musicking speak to the “secret history” … Read more
Mike Leigh’s latest work, a highly episodic “scenes from the life of the artist” film about J. M.W. Turner, begs a question that has dogged me throughout life. I have gazed dutifully upon Turner’s paintings and repeatedly wondered, “Why am I doing this?” In college, in a class called “Introduction to Modern Art” we were … Read more